Education is at the core of ArtRow. We want to empower and inform the experience of collecting art through an engagement with art history and a knowledge of the art market. These articles are meant to bring you closer to the art you love.
‘Photographs 1963–64: Eyes of the Storm’ at the Brooklyn Museum is an exhibition of Paul McCartney’s photos, snapped as he and his fellow Beatles traveled the world. They provide a snapshot of the unexpectedly normal moments of life behind superstardom.
The Venice Biennale takes place every second year. The 2024 event is titled “Foreigners Everywhere.” This article explores the concept of globalization and the positive and negative understandings of such a theme at this “highly political, provocative, and groundbreaking” cultural and artistic event.
Manhattan’s Whitney Biennial 2024 is the 81st edition of this contemporary art survey show. The show’s subtitle, Even Better Than the Real Thing, acknowledges the complexity AI brings to the art landscape and our understanding of reality. Explore four of the iconic artists and artworks on display at this year’s event.
Following the news of sculptor Emily Young’s inclusion in the 2024 Venice Biennale, we are honoured to highlight two of her stunning smaller “angels”—compact answers
Anselm Kiefer’s ‘Punctum’ at the Gagosian Gallery in Manhattan takes the viewer through a process of unlearning the neat categorizations of artistic mediums. Photography and sculpture in grey, black, and white transport us beyond realism.
Tony Tascona, the “godfather of the Manitoba arts scene,” spent more than 40 years immersed in artistic exploration, embracing an ever-transitioning style that nevertheless upheld
Marika St. Rose Yeo’s Shifting Conversations sculpture series explores “the premise of search, the act of seeking out traces of things left behind, and information
“The land shapes people, but people also shape the land.” For contemporary Canadian artist Jeremy Herndl, painting is a tool for experiencing a place. Jeremy’s
Non-indigenous people compulsively link “tradition” to Indigenous peoples and equate indigeneity with spirituality above all else. When First Nations peoples and art are assumed to
The American avant-garde of the 20th century left an indelible imprint on the art world, transcending national boundaries to resonate on a global scale. Among
More women graduate from art school than men, but there is a steep drop-off in who becomes a professional artist. Today, only 13.7% of living artists represented by galleries in Europe and North America are women. With women’s rights in jeopardy across the world, how can we support women artists and their historical legacies? Further, what do we need to do to support their continuation?
